This was an obtuse and unpoetic diktat, a showy way to miss the fact that a song’s history—its use over time, by real people, inspired by the exigencies of ritual and action—can inform its meaning more than its mere lyrics ever could.
—
Vinson Cunningham,
The New Yorker,
15 July 2022
Atlanta and its suburbs are a surprisingly Whitmanesque experiment in pluralism, in which unpoetic concrete strip malls substitute for lyrical spears of summer grass.
—
Sanjena Sathian,
Los Angeles Times,
18 Mar. 2021
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