Netflix announced a second melodrama last December, about the secrets and intrigues of an elite Rio de Janeiro family, created in partnership with Amaia Produções and Conspiração, with general direction by Mauro Mendonça Filho.
—
John Hopewell,
Variety,
25 May 2026
The rich textures and thick ambiance of The Eyes of Others are pure high modernist 1960s Italian cinema, but De Sica unfurls the film’s winding intrigues with a contemporary sense of suspense, carnality, and visual boldness.
Plots and machinations have been set in motion in King’s Landing as well, where Alicent conspires against her own sons, sending Aemond out of the city and paving the way for Rhaenyra to take the city.
—
Erik Kain,
Forbes.com,
5 July 2026
Elmosnino is an amusing villain, making his most self-serving machinations sound reasonable.
—
Television Critic,
Los Angeles Times,
30 June 2026
Marty, who was loosely based on real-life ping-pong legend Marty Reisman, schemes his way to competitions across the globe and hustles for pocket cash.
—
Randall Colburn,
Entertainment Weekly,
9 Mar. 2026
Joy Randolph, follows a desperate gallery owner (Portman) who schemes to sell a dead man as art at Art Basel in Miami.
The series blends crime procedural elements with the spiritual and cultural landscape of the Navajo reservation as the officers investigate brutal murders connected to larger conspiracies.
—
Erik Kain,
Forbes.com,
4 July 2026
Season 3 finds Ferguson's Juliette seeking answers to her experiences outside the silo and the conspiracies that led to their dystopian world.
—
Tiffany Kelly,
Entertainment Weekly,
3 July 2026
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