The rich textures and thick ambiance of The Eyes of Others are pure high modernist 1960s Italian cinema, but De Sica unfurls the film’s winding intrigues with a contemporary sense of suspense, carnality, and visual boldness.
—
Zac Ntim,
Deadline,
29 Apr. 2026
Plus the balcony is useful for intrigues and gossiping about the people below, as seen at Lady Danbury’s ball in season one of Bridgerton.
Goldman here plots the earnings-revisions trend for 2027 among AI-infrastructure plays, energy companies, the overall S & P 500 and the rest of the S & P outside of AI and energy.
—
Michael Santoli,
CNBC,
19 May 2026
While the story is fundamentally the same as the original production — man discovers wife is having an affair, man then plots for his wife’s murder, man then must evade the cops — Hatcher brings the story to the 21st century in many ways.
At the same time, other recent national trends – from the new redistricting wars to court battles launched by both blue and red states in response to Trump- and Biden-era policies – have underscored just how impactful the machinations of state governments can be.
—
Zachary Schermele,
USA Today,
18 May 2026
While JoAnne recoils from Duncan’s machinations, her son Orson finally bottoms out in the supplement pit of the manosphere.
Marty, who was loosely based on real-life ping-pong legend Marty Reisman, schemes his way to competitions across the globe and hustles for pocket cash.
—
Randall Colburn,
Entertainment Weekly,
9 Mar. 2026
Joy Randolph, follows a desperate gallery owner (Portman) who schemes to sell a dead man as art at Art Basel in Miami.
Wallace is particularly troubled by how quickly hantavirus was incorporated into the COVID-era health conspiracies and the distrust in public health authorities that still thrive in certain online ecosystems.
—
Allison Parshall,
Scientific American,
15 May 2026
In Russia, indulging in such conspiracies is often less an exercise in political prediction than an expression of deeper anxieties that can be otherwise hard to express.
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