Minions creator Pierre Coffin seized rare creative control, crafting a visually dense tribute packed with nods to silent comedies, early film experiments and studio landmarks.
—
Carlos Aguilar,
Los Angeles Times,
30 June 2026
That standard took her all the way through to Grace and Frankie, her longest running onscreen job to date and a relic of a time when networks allowed television comedies to build their audiences and their voices.
By 1775, at age 47, as the first shots rang out at Lexington and Concord, her anonymous satires and plays were already shaping public opinion in support of independence.
—
Robin Follman,
Oc Register,
4 July 2026
His ten other, wildly disparate books include two satires of media and marketing and an elegiac zombie novel set in Manhattan.
Today, the public largely remembers Holmes through magazine covers, courtroom sketches, documentaries, and television dramatizations.
—
Walter Pavlo,
Forbes.com,
30 June 2026
Three years ago, Wain and Marino also hit the road with the State for a nostalgic reunion tour that revived many of their greatest sketches and characters.
With sparse amounts of slapstick, this staging isn’t the most physical of farces, though Lutz and Enriquez in particular strike some laugh-out-loud poses.
—
Emily McClanathan,
Chicago Tribune,
17 Apr. 2026
Two suburban groups, Plano’s Rover Dramawerks and MainStage Irving-Las Colinas, are opening the new year with farces by prolific British playwrights that are marked by mistaken identity and other comic twists.
—
Manuel Mendoza,
Dallas Morning News,
8 Jan. 2026
Ludwigsen played each of the five commercial slapsticks five times in an anechoic environment, minimizing any acoustic room effects with absorbing wedges.
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